Dance & Electronic
Fifth album from the UK Grammy Award-Winning electronic artist, Tourist (aka William Phillips). The project will come as a delightful surprise after the deeply emotional album ‘Inside Out’ last year. Embarking on US and UK/EU tour in 2024.
‘Believe Me Now?’ is Becky’s most authentic, career defining project to date. An album which sees her digging deeper into her life-long passion for underground dance music and club culture. Whether she’s drawing on influences from the worlds of drum ‘n’ bass, anthemic house, techno or atmospheric trance, Becky’s flair for blending the heart of such genres with her soaring powerhouse vocal has produced an album that’s rich with credibility and personal integrity, yet with immense global appeal. Indie Exclusive Black & White Splatter LP.
On the surface, Eric Slick's forthcoming LP New Age Rage is a dance record. Further listening reveals that it’s also a statement about our harrowing future - AI, self-driving cars, Twitter rage, mass media manipulation, and ultimately, the sin of perfectionism. It’s sonically influenced by the work of Yellow Magic Orchestra, Talking Heads, Kraftwerk, Todd Rundgren, Prince, The Residents, and DEVO. New Age Rage features many of Eric’s close collaborators: Natalie Prass, Finom (OHMME), Liam Kazar, Antibalas, Butcher Brown, Deep Sea Diver, and many more
Oakland’s Houses of Heaven fuse the grit of early industrial with dizzying hits of EBM, techno, and drum & bass, all imbued with lyrical themes that draw equally from the emotional and the mechanical. Within/Without, their sophomore LP for Felte, delves into a realm of intricate intensity, pushing electronics to the forefront with the production prowess of Matia Simovich (INHALT), and features top-of-their-game guest vocals from Douglas McCarthy (Nitzer Ebb) and Mariana Saldaña (BOAN).
While the dub-influenced, shoegaze throb of Silent Places (2020) immersed itself in the paradox of opulence against the unsettling backdrop of California’s wildfires, Within/Without confronts social order through the lens of inner strife. It explores a contrast between the fantasy worlds and unfiltered truths that define modern survival, and a yearning for genuine human connection brought on by the anxiety and isolation of technology.
On Within/Without, Houses of Heaven truly come into their own with a distinctive alloy of electronic, industrial, psychedelic and shoegaze elements. They create a dynamic conduit for discord and harmony with a profoundly human essence, bridging interior lives and exterior pressures through visceral songcraft and deft pacing. In a cruel and technologically dominated world, emotional gridlock is rampant. Yet, in the propulsive paranoia of album highlight “Flesh Techniques”, we’re reminded that it’s often best to “breathe in / these dreams again / shake, shake it off”.
Nia Archives is the star at the forefront of the latest era of jungle. Since her emergence in 2020, her collagist soundscapes have helped bring the sound to a new generation of clubgoers (though fair warning: don’t call her a revivalist – she’s the first to point out that the scene never went away.) So, when it comes to talk of the 24-year-old DJ/producer/singer-songwriter’
The seventh studio album from acclaimed musician Lindsey Stirling celebrates the delicate, yet beautiful, nature of duality – the inner battle of fearlessness and self doubt we all experience. Exploring two distinct styles of music for each side of the album, Duality evokes a sense of magic; encouraging the listener to acknowledge the struggle but to always believe in the limitless version of themselves.
Part 1
1. Evil Twin
2. Eye Of The Untold Her
3. Surrender
4. Serenity Found
5. Untamed
6. Purpose
Part 2
7. The Scarlet Queen
8. Inner Gold (feat. Royal & The Serpent)
9. Survive (feat. Walk Off The Earth)
10. Kintsugi
11. Firefly Alley
12. Les Fées
Indie Exclusive - AVAILABLE FOR THE FIRST TIME ON VINYL! - It Takes A Thief is the 2010 compilation from the Electronic duo, Thievery Corporation. The album is a collection of tracks specially selected by Rob Garza and Eric Hilton for longtime fans and for music lovers who have heard of Thievery Corporation but may have never listened to the band. It Takes a Thief features 'Lebanese Blonde,' the beautiful track used on the Grammy award-winning Garden State Soundtrack, as well as 'Sound the Alarm', the funk-infused track that has become a
staple opening track for the band's live shows. Now released on vinyl for the first time – this exclusive RSD Essentials variant is available on coke bottle green vinyl.
Sylvan Esso -"WITH" : In November 2019 Sylvan Esso staged a unique new tour called WITH. Through seven shows in four select cities, the group presented their music like never-before; collaborating with some of their favorite musicians to create an experience that was totally memorable. The sold-out shows took place in iconic venues like LA's Walt Disney Concert Hall, NYC's Beacon Theatre, Nashville's Ryman Auditorium and ended in their hometown at the Durham Performing Arts Center. Indie Exclusive Double LP
After releasing her sophomore album Inner Song in the midst of the pandemic, Kelly Lee Owens was faced with the sudden realisation that her world tour could no longer go ahead. Keen to make use of this untapped creative energy, she made the spontaneous decision to go to Oslo instead. There was no overarching plan, it was simply a change of scenery and a chance for some undisturbed studio time. It just so happened that her flight from London was the last before borders were closed once again. The blank page project was underway.
Arriving to snowglobe conditions and sub-zero temperatures, she began spending time in the studio with Lasse Marhaug. An esteemed avant-noise artist, Marhaug envisioned making music that would fall loosely in line with Throbbing Gristle. Kelly, on the other hand, had planned to create something inspired by Enya, an artist who has had an enduring impact on her creative being. They met each other halfway, pairing tough, industrial sounds with ethereal celtic mysticism, and creating music that ebbs and flows between tension and release.
One month later, Kelly called her label to tell them she had created something of an outlier, her ‘eighth album’.
At the top of 2020, after a year of traversing the globe in support of 2019’s Run Fast Sleep Naked, Nick Murphy began creating music that simply felt good. Though the singer had retired his billionstreaming Chet Faker project four years prior, the new songs he was working on in his New York City studio had an energy reminiscent of his earlier work. Reviving the project “wasn’t on my radar” at the time, Murphy admits, but the next thing he knew, he had a full album. The result is Hotel Surrender, a radiant 10-track LP full of swaggering bass lines and electrifying melodies that reintroduces Chet Faker to the world – and to Murphy himself. Like his debut LP, 2014’s Built on Glass, Murphy wrote and produced Hotel Surrender solely on his own, finishing most of the songs before COVID-19 hit in March 2020. He admits that before Hotel Surrender, he had never approached his process with such ease. This time, as the album title suggests, he surrendered to the music. “There was this, like, unconsciousness—not thinking, but just feeling, letting it come out and letting it steer itself,” Murphy says. “The great lesson for me was that I could write from a place of joy. I was also just being kind to myself. None of this music was hurting, it just felt good. It made me feel better, and it helped me be better.”
Following acclaimed Topical Dancer album with Charlotte Adigéry, here comes Letter To Yu, Bolis Pupul’s debut solo album, produced by fellow Belgians, Soulwax. It’s no coincidence that Bolis Pupul’s music sounds the way it does. Born in Belgium to a Chinese mother and Belgian father and raised in Ghent, Bolis’ electronica is a joyous cross-cultural assemblage. The creation of the album is built around Bolis’ trip to Hong Kong earlier this year, made to reconnect with his mother’s roots.
Beauty, disposability and fragility of the culture that surrounds us, and the exhilaration of freeing yourself from those structures… these are the themes Ladytron return to on Time’s Arrow, their seventh album.
Driven by analogue synths, distorted chimes and hallucinogenic soundscapes, Ladytron crash-landed into electroclash at the turn of the century, using the dancefloor as a bridgehead to the collective unconscious. On Time’s Arrow the group add new richness, distant shimmers and a shoegaze-adjacent glow with Helen Marnie and Mira Aroyo’s trademark understated voices now inhabiting a space somewhere between cloudscape and dream.
“I felt so much love and inspiration entering into motherhood that I just needed to create something really powerful,” explains Samantha Poulter, the Berlin-based DJ and producer, who grew up in the Sydney suburbs and better known to fans as Logic1000. That vitality and renewed sense of purpose is captured on her debut album Mother. The 12-track set is a laser-focused “love letter to house music,” written in collaboration with her husband and long-time creative partner Thom McAlister.
Double vinyl LP pressing. Ulrich Schnauss, the highly respected German electronic music composer, has taken the opportunity to remaster his entire back catalog, having recently had all his recording rights returned to him. Reissued on his own Scripted Realities label. The third of five albums, Goodbye was originally released in 2007. Ulrich's long-term AV collaborator Nat Urazmetova has reimagined and refreshed the artwork.